I just got done watching the series: Guy Mariano – Life on Video. TheBerrics.com put out this series showcasing a legend in skateboarding and how he has grown up in front of lens of skateboarding. I think this is something that needs to be seen.
Here is the link: http://theskateboardmag.com/videos/?__mr_id=82550 and all five parts can be found on that site.
There is a new trend in skating and snowboarding that is pretty incredible. No, it’s not triple kinks or triple corks, it’s not tight pants, minimalist shoes, strange shaped boards, or grabbing your board when you carve. The trend i’ve noticed is spotlighting the legends of our sports.
As progression dictates; get better or get left behind (or as the tat on Antwuan Dixon’s head says, “get wit it or get rolled over bitch!”). This mandate applies for the people standing sideways as well as those pointing a lens at them. And although we will look at just about anything if the trick is amazing or new, there are lensmen that understand their art will be revered and remembered only if they dedicate the same passion to their projects as the riders do in pushing the sport. I’m not talking about just buying the best new camera and getting a clean shot. I’m talking about the thought that is going into projects and the final product that’s constructed through painstaking detail, research, and planning.
Some of the amazing new projects I see come in the form of a full length movie, some are webisodes, and some are profiles. As our sports enter the grandest of stages the production values are leading them to be presented to an ever growing, unknowledgeable, entitled audience. While some are content to throw up a snow park edit that looks like they pressed record when they got off the lift and stopped recording 10 runs later when they got to the car, others are taking the responsibility of educating and presenting what we do seriously. These artists are finding a canvas for their visions in the form of our sports’ history and pioneers. I can’t tell you how many kids snowboarding now don’t know who Terje or Craig Kelly are. Thanks to artists such as Stacey Peralta, Lucas Huffman, Trevar Cushing over at Powder and Rails, the guys at Vice, the production crew at the Berrics, along with many others, the history of our sports and the stories of our legends are being told. The value of this history is immeasurable as our sports steer away from their rebel roots and plant themselves firmly in the mainstream.
So please take some time to learn about who and where your sports came from. That thing under your feet wouldn’t be as fun or mean shit to the world if it weren’t for those that rode it before you. The Guy Mariano series has a lot of insight into the mind of a pro. If you want to know what its like or you long to be a pro someday then this is a playbook that has so much information for you.
And when you’re done with that here are a few other suggestions (and links if I can find them).
“20 Years of Chocolate”, Epicly Later’d, Vice https://www.youtube.com/watch?v=Ws-_-6BhGT8
“Snow Craft: Pioneers: Episode 1, Huffman Studios, https://www.youtube.com/watch?v=r8oEm5r6KYE
“Snow Craft: Generations: Episode 1, Huffman Studios, https://www.youtube.com/watch?v=dx4m8EiA6ws
Powder and Rails, Trevar Cushing, http://www.vice.com/series/powder-and-rails
Nice!Gordon is the final movie I made for Boarderline. The movie premiered, with Jesse Burtner’s movie, on September 25th, 2004. Over the past season I have been re-releasing all the old Boarderline movies leading up to this one. Because Nice!Gordon was my final movie and this is it’s 10 year anniversary, I wanted to revisit the movie in some depth. Leading up to this I have been posting all the dvd bonus sections. I haven’t watched most of those clips in years. As a matter of fact, I probably haven’t watched Nice!Gordon in many years. As I’ve gone over it again I realized something: I FUCKING LOVE THIS MOVIE!!!!!!
As you stop shaking your head and remove your face from you palm, I can tell you I don’t mean it how you think. What I realized, when I watch the movie, is how amazing it was being a part of what was happening during that period of time. I realized how amazing all the people were. I realized these things in a way that just isn’t possible when you’re living out those moments.
My hair was a tragic mess, the acting was bad, the plot is a rip off, along with a million other things that can be knit-picked about the movie. But I don’t care. What I care about is that when I watch it I smile. And I care that others smile when they watch it, remembering that part of their lives.
I usually write a book about each video but I’m going to save that for the next post. I will go over all my thoughts on the riders and the things that happened, hopefully attached to the director’s commentary version of the movie.
For now I just want to say thank you. Thank you to the kids that supported these movies. Thank you to people that broke themselves, day in and day out, to get shots for the movie. Thank you to all the talented skaters, snowboarders, and people that filmed and worked on the movie for sharing your individual gifts with me. Thank you for letting me be there as you showed hints of the people you would grow up to be. Thank you for letting me witness your talents as they blossomed. Thank you for carrying me when my talents couldn’t be found. Thank you for being calm and patient when I was a frantic mess. So many of you let me into your lives, some for only a day while some revealed the full spectrum of their passion and pain. Thanks to all of you for helping me turn my visions into reality. And finally, thank you all for making the Boarderline years of the Alaska snow/skate scene something that I will forever look upon fondly and with great honor to have been a part of. You all changed my life, you all made my life better, and I hope that one day I will be able to return the favor.
This is a section of clips from Boarderline’s “Indo” skatepark. Do you know why the park was called “Indo”? Because the park was Indo not outdo. Pretty funny when you hear Scott Liska tell you. I believe Trevor Tenge was responsible for this edit. I imagine a number of people held the camera. Please feel free to correct me or add to the credits in the comments section.
The park was created when Boarderline moved it’s location from the Dimond Center Mall to a warehouse in an industrial area near the Bush Co. The building allowed there to be retail space, storage, and enough space for a small skatepark. The park was pretty rad for what Anchorage had to offer. One of the toughest parts about skateparks is that skaters dont want to pay to skate. Another tough obstacle is if the park is too compact then it’s very intimidating for novice skaters to try and skate and those are the kids that will pay. But the fact remains that this was the second time in Boarderline’s history that they built a skatepark for the kids of Anchorage. Most likely it was the second time they built a park knowing it would not make money. Consider the fact that a private business owner, whom was not overwhelmed with reserves of cash he didn’t know what to do with, gave that to our skate community while the city of Anchorage only seems to allocate funds to skaters in the form of skate stoppers.
I hope you enjoy the sickness that went down in that little garage. I hope you see the creativity and talent that skaters exhibit when given even the smallest canvas.
This is the teaser for Nice!Gordon. It features Chris Brewster as the little shredder. The teaser is from 2004 and marks the last movie I made for Boarderline. I love how this reminds people of the roots of snow/skate. It’s raw and its about doing what you love no matter what anybody else has to say about it. Please share, like, download, and tag anyone you know from the video or from that period.
100% is the third video effort between Jesse Burtner and myself. When I’m going to post these old vids, I like to watch them again and try to get reacquainted with them. When I share them I want to be able to share some of the insights or unique parts that people might not have known about the vids. At least thats the idea when I first pop in the video. What really tends to happen is I find myself smiling as the feelings of the moments captured, of that period of time and of my life wash over me. When we made the videos I think my mindset was pretty focused on delivering a package to the public. For me that package was a bundle of local talent, skilled tricks, fun, and camaraderie. What I didn’t realize until ten years later is that the importance of these videos was not in how sick a trick was or how gnarly a rail was, but rather in the feeling that was delivered when someone watched the video. The true gift comes in realizing the place in time, the place in peoples lives that the feeling will reside in. These videos will act as a bookmark in peoples lives. A dog eared page that they will hopefully turn back to, over and over, to remind themselves of what a great ride life can be. I’m really not trying to make these videos into something more than they are; please don’t think that. I know we never cured cancer or even a hangover. But i get a feeling when i watch them and that feeling is something special that I hope others feel too.
Ok, now that i’ve dried the tears, lets talk about this movie. This video marked Boarderline’s 10th year in business. I first walked into the shop just after they opened in 1989 and got my first hook-up two years later. I think thats another reason there were such deep feelings connected with the video. Many of us that were in the video, or around it, were part of the shop from it’s beginnings.
If you check out the pictures of the cover you can see that this was the first year we actually made a cover. Prior to 100%, the video covers were just a monotone cardboard cover. Jesse and I decided to go with the name “100%” because we felt that was what we gave to… well i was going to say to our riding but really it was so much more. We gave 100% of our lives to everything involved in the world you see in the video. Everything was about skating, snowboarding, making the video, being at the shop, putting on summer camp, doing demos, and hanging out with each other. If i wasn’t out skating or riding then i was at home watching videos or thinking of ideas for the movie, or driving around looking for spots. That feeling of being 100% involved didn’t just apply to me. I felt that coming from so many of the kids. Hell, even Liska was still around almost 24/7 at that time. But back to the cover. I came up with the idea to film the bloody 100% scene in the opener (We were so Dexter before Dexter) and I took that footage with me to a Burton catalog shoot in Chile. This catalog shoot was for the following season so Burton had a guy or two from their marketing company there to consult/oversee/understand the direction of the product for the catalog. One day, after getting off the hill, I showed the footage to the JDK Designs guy and he loved the concept and offered to help out. Shortly after returning from the trip I got an email with the 100% logo from Rich and Randy at JDK. I might be mistaken but I think the blood splatter was done by Chris Schutte (apologies if it was someone else). This was a huge step for us. We were starting to feel legit.
100% seemed to mark a time when some of the riders associated with the video really started to come into their own. A lot of guys really started to find themselves as riders and really let the talent bloom. Jon Kooley really shows some jumping skills. Jon is on a Burton board, which i believe means he was sponsorless. It was right after this that Jon came to live with me in tahoe and got sponsored by Atlantis. The point I’m trying to make is that he’s a super talented snowboarder and 100% was a glimpse of that just as it was starting to become really obvious to everyone that watched him. Mark Landvik was also getting on the scene quite a bit more. The free ride element that catapulted him into super star status was still a mystery to those outside of Juneau but the rest of us knew there was a style that we couldn’t turn away from.
This video also held parts from a couple close friends. Scott Leathard and I spent a lot of time riding and skating together since I was living in Tahoe and he was going to school a half an hour away in Reno. I’ve talked about Scott’s talent before but what really stoked me out and made me proud of him was that he put together a full part. Scott’s always been sick on a board but it was really impressive to see him get together a full part. I don’t know how he feels about it, I imagine he would tell you it all sucked, but there has to be some sort of satisfaction in knowing he was able to let so many different areas of his skateboarding shine.
Khristian Bombeck was one of my best friends during the last couple years of high school and for a number of years after that. After he graduated, he moved to Montana for college. I always loved riding with Khris. He was a frontside spinner while I was a backside spinner so I always got to see a different perspective when it came to attacking the hill. Khris also had a different idea of what type of tricks to do. I still cant figure out what the trick is that he does off a Montana jump, in his part, but my best guess is some sort of switch backside rodeo 7. I always rooted for Khris more than anyone. I wanted to see him make it in snowboarding because he was a good rider and an even greater person. A couple side notes about Khris and his part; Khris punctured a lung on a crash that is in the crash section, Khris had a little notoriety in snowboarding but moved on to become super successful with inventing a new type of coffee press ( http://alphadominche.com/steampunk/ ) , Khris had a hernia during one of our snowboard camps and would grunt super loud in the air when ever a trick went weird, causing a strain on the hernia, and I really miss riding with him.
Something pretty cool to think about is just how unreal the skating was back then. Maybe it’s because the park was better or maybe it’s because i’m not around it as much but Jerry, Mitch, Micah, Ant, and Adrian threw down stuff that I still don’t see being done at the rec center park 15 years later. Don’t get me wrong, I know there are a lot of really sick skaters in Anchorage. I’m just saying that I feel like i was privileged to be a part of something that was special. I got to be there, firsthand, to see some future pros and magazine cover holders really go hard in the paint. These guys were on the grind 24/7. I know Zak’s has some skaters that rip and I bet they approach it about the same as the old b-line crew (as evident in Ted Kim’s video “VX Days”) so I look forward to what comes from that camp. But I urge you to take a close look at what was really going down with the B-Line crew of old.
To be honest with you I was really blown away by the random radness I saw in the movie. There were so many people that had gems, even if only one or two, that are hard to believe now. I’m not saying every trick or line would have Jamie Thomas picking his jaw up off the floor. What I’m saying is that if you knew the person now then it might be hard to believe they once threw down that trick. For instance, Bill Preston has a 50-50 up the double kinked round bar at the skate park. If you know Bill you know he was much more known as a snowboarder and even though he skated, that trick was something rarely seen at a heavily populated skatepark. I just want to give some shout outs to some of the tricks along those lines. Burtner for one of the largest drops and funnest lines at what I think was Steven’s Pass. Deez for a sick free ride line. Randazzo for a huge blindside half cab at camp. Artie (don’t remember his last name) for a proper front flip, not one of those weak-ass nollies where the rider grabs behind their thighs like they’re a gymnast. The guy with the gold medal sun burn in the credits is also Artie. Blair Mitch’s one foot nose blunt slide on the pick nick table. There really are a lot of gems so I’m sorry if I didn’t mention them all.
I know this write up is long but I can’t shut it down without mentioning a few more people. Joe Hededus is now a loan originator but in 1999 he was another underrated Alaskan snowboarder. I really didn’t appreciate how rad he was until now. Ant came through like gang busters with the Miami Vice part. Isaac Abbott should have been called big smooth. Isaac is a stoutly built fellow that went huge on a skateboard and did it gracefully. Jason Chatfield came out of Eagle River Alaska along with Jon Kooley and myself. Chatty really got more graceful as time went by. Everything Adrian Williams skated turned to gold. Micah had the pound for pound biggest shoes of anyone and led the tech charge among anchorage skaters. Jerry crushing back tails and front blunts as well as two full moons.
I think thats about enough for now. I hope you enjoy the video and as always, please follow the blog and share it with as many people as you can. See you in a couple weeks with Survival of The Tightest.