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Nice!Gordon Extras: Skit Outtakes

Here are all the bloopers, blunders, mess ups, and just bad acting that came with making the skits for Nice!Gordon. It’s such a strange, different world than what skaters and snowboarders are used to. Everyone is so comfortable in front of a camera when they are trying to skate or snowboard but once you ask them to say a pre-written line, everyone falls apart. Big thanks to Kendall Whelpton for flying up to AK to help film, light, and advise on all the skits. Also DK Johnston was a big contributor before his days of being a main player in the AK film scene and I really appreciated that.

We also traveled down to Newport Beach to film some of the scenes. Making the movie parts of the production were some of the best times I’ve ever had making snow/skate vids. When you watch the older movies you can tell that I always enjoyed making the skits and putting a lot of work into them. With Nice!Gordon I got to take that to a much higher level and it felt awesome. It felt like it gave the movie so much more than just video clips on boards. It felt as though it brought the group together more and gave the movie a uniqueness worthy of the the effort put forth by everyone involved. As I try to figure out how to put it into words I can feel any degree of eloquence slipping away. What I’m trying to say is that I fucking love the AK scene and felt like I finally made a movie that everyone up here could show people with pride; that they felt could represent what they loved about the boarderline movies and being a part of that scene for so long. Im really proud of all the movies but making this movie, the way I did, with the effort that we all put into it, felt like a new level had been reached. I know I’m still fumbling with my words here. Part of the reason I was making a video on my own was because I wanted to continue making movies that represented Alaskan skaters and snowboarders and what it was like to be a part of the scene that was created over the previous ten years. With Nice!Gordon I felt that was accomplished more than any other production or accomplishment I was a part of.

Seems like I just cant help but get all emo when it comes to this stuff. That’s me though and it has always been that way. I hope that comes through in these videos and I hope you get a lot of laughs from my awful acting.   


Nice!Gordon Extras: Gus Engle

Here is some bonus footage of Gus from the filming of Nice!Gordon. Is that a 46 inch stance?


Nice!Gordon Teaser


This is the teaser for Nice!Gordon. It features Chris Brewster as the little shredder. The teaser is from 2004 and marks the last movie I made for Boarderline. I love how this reminds people of the roots of snow/skate. It’s raw and its about doing what you love no matter what anybody else has to say about it. Please share, like, download, and tag anyone you know from the video or from that period.


My First (and probably last) Marathon

After my snowboard career came to an end I played poker for a living. I stumbled onto poker in Reno and fell in love with the game. So it might be strange to know I’ve never been a gambler. I am, however, a sucker for the romance of the history, colorful characters, and lifestyle of people that made a living playing poker and gambling. The mantra of many early poker players was that if something is worth arguing about then its worth betting on. This mantra has led to many a wager on just about everything from human feats of endurance to which sugar cube a fly will land on.

This summer I spent three weeks playing poker in Vegas. I was there to play at the World Series of Poker which originally was a gathering of the traveling poker professionals. While I was in Vegas I was watching the final table of an event which was won by Ted Forrest. When i first started playing poker, about ten years ago, Ted was among a handful of known names in the poker community. Ten years ago poker really hit the mainstream huge. The known players were on tv every other day. Books about the poker’s history and personalities were being churned out as fast as a hand of hold’em could be dealt. I was brand new to the game and devoured all I could on the subject; my favorite being the books about gamblers and the crazy bets they made. Perhaps it’s because I never really felt comfortable gambling that I got a thrill reading about others doing it.

One of those stories that always stuck with me was about Ted Forrest running a marathon. He bet $7000 that he could just go out and run a marathon with no training. As i sat in the Rio this summer that story crept back into my thoughts and I started to wonder if I could do it. Could I run a marathon? I hate running. I ran everyday in high school but that was 21 years ago. I’m in decent shape but I’m also 39 and again; hate running. Perhaps it’s the fact that I’m 39 and hate running that the idea wouldn’t vacate my thoughts. Perhaps this is the point in life where an aging, former pro athlete has something to prove.

I started passing the idea around with friends and they predictably thought I was crazy. Crazy or not I knew the seed was firmly planted. I also knew that I wanted money on the line or it would be too easy to give up. The word “Marathon” held a grandness in my mind that commanded reverence. What I’m trying to say is that I didn’t take this lightly. I didn’t think it would be easy. Evidently my friend Brandon didn’t think it would be easy either. After a skate session in Girdwood, we were all sitting around talking and I brought up the idea of the bet. The terms would be that I had to finish the marathon in 5.5 hrs or less and prior to the marathon I couldn’t run or go to the gym. I couldn’t train for the marathon. Basically all i could do is what I would normally do and I don’t normally run or go to the gym. I could walk, I could hike occasionally with my girlfriend, and I could eat right. Eating right would be tough considering pizza was part of my diet about twice a week and I love pepsi. So Brandon said he had a friend that ran marathons and he was going to ask him about the bet. The next day I got a text, from Brandon, saying that he would take the bet at 3 to 1 odds. I laughed and said he must have talked to his friend. He said he had and we agreed to put up $1000 at 3 to 1. That means if I win then I get $3000 and if i lose Brandon gets $1000.

As the time leading up to the marathon passed, I began to really cut out the sugar in my diet and cut back on the fats. I basically got healthy fast and shed some pounds. Kelly and I have taken walks all the time but I tried to walk a lot. I hiked maybe a total of 3 hours in the month leading up to the race. I wanted to run soooo bad. I wanted to run a mile to see how fast I could do it. I wanted to run on the downhills of the hiking. I just wanted to find out what i was capable of but a bet is a bet and my word only means something if I stay true to it.

The day of the race it was rainy which was a big advantage for me, or so I thought. I figured it was better that it was cooler but with the first steps of the race my legs never felt so tight and heavy but more about that in a minute. As the race was about to begin I was decked out and ready to run. I had a self made wrist band with the time I need to hit at each mile to finish on time. I had my interval timer (I read about a technique where runners run for an amount of time then walk an amount of time. In my case I would run 1 minute then walk 1 minute. The idea is to keep that up the entire race and the body will erase the fatigue during the walking portions). I had my gel packets for energy and my beats to keep me moving fast.

I got dropped off, near the starting line, about 10 minutes before the race started. I felt pretty excited and nervous. I was also anxious about not getting to see Kelly and my mom before the gun went off. As the announcer counted down the final seconds I resigned myself to not seeing my ladies until later in the race. Bang! And we’re off. I was warned to start slowly but all i wanted to do was run. I even missed the first two beeps on the interval timer because I was just soaking it in and feeling the run. Then, just as I started to get ready to turn the first corner, I spotted Kelly. She was holding a sign and it said, “I get 2 marry bib 141.” The strange part was that I was big 249. Haha just kidding. The truth is that tears welled up as I saw the sign. There are moments in life when you feel overwhelming love, when you really understand how special what you have is. This race brought me a couple of those moments.

Like I said before, my legs never felt so tight and heavy as when I first started running. Since I haven’t run in a couple decades I couldn’t tell if it was from the cold, damp weather or just nerves from the enormity of what I was embarking on. I also had to pull the reigns back a bit because I wanted to run too fast. I felt good though. I felt strong and light and excited about it.

The first thing I noticed was the different types of runners and different paces. Oh wait, rewind a bit. So the race starts downtown, with lots of spectators around the town square area, and wraps around a few blocks. When I got my nerves under control and decided I better heed the advice I was given, I got onto the interval program and began to walk for a minute. The problem was that the first minute I walked just happened to fall right as the course wrapped around in front of the big town square crowd. Great, now I look like the guy that’s winded after running one block. Haha, not an ego boost.

Back to the runners. As i ran then walked, I would notice that pace kept me even with a number of people and actually passing others. I even had one guy tell me that I walked faster than he ran. I noticed people pouring sweat after 3 miles and I noticed people pretty much out for a sunday stroll. I don’t really remember what mile marks I saw my friends at but i do remember that I began to feel my right knee hurting somewhere between mile 3 and mile 5. The pain in my knee was on the outside and felt like it was on the bone rather than the joint itself. Also around mile 5 my right arch started to hurt too.

The interesting part about a run like this is having nothing but time to think about everything. The time can be great if it’s used to work out social issues or a new tax platform that balances the needs of businesses and individuals. The time can be a little less constructive when every second is used to dwell on the pain shooting through a knee. My thoughts, at least in the first half of the marathon, weren’t completely dominated by what hurt. It’s funny to think about how much my thoughts changed as the run went on. In the early miles I felt like a pit bull on a short chain; I just wanted to break free and attack the course. I thought about how I would cross the finish line like Steve Prefontaine. I thought about what mile I would just break free and run the rest of the way; mile 22 seemed like the time I would strike. Needless to say my thoughts changed a little further down the course.

Around mile 10 I started to notice how much of a cushion I had built up. By mile 13 I was about half an hour ahead of schedule. I was having little dreams of breaking 4.5 hours and might even have entertained breaking 4 hours for a split second. Obviously these dreams of grandeur were crowding my mind on the intervals when I was walking because the pain was getting a lot worse when I was running. For a long time I felt no pain when I would walk and a lot when I would run. When my knee hurt I would just think about Danny Way (because I’m a skate nerd) and how when something hurts you just have to keep going because the real pain sets in once you stop. I also brushed a lot of the pain off, telling myself “It’s just pain, it’s just another feeling that’s part of the experience.” After a while the sharp pains were also joined by a weak, light feeling in the knee; almost a wobbliness. It was the feeling when something feels like it might give out.

I’m not sure what mile markers it happened at but my friend Christian was there, rooting me on, holding gear I might need, and just being positive at a number of spots along the course. About the third time I saw him I was super excited about how far ahead of schedule I was and he was telling me to slow it down. I thought that was odd. It wasn’t odd because I didn’t understand the logic or strategy behind it, it was odd because I don’t process the idea of not pushing myself very well. If I grasped that concept then I certainly wouldn’t be doing this in the first place. Prior to the race I approached things in a very logical and analytical fashion by breaking down my time/pace, planning my nutrition, planning my markers for hydration and refueling, and my gear. Once the race started and I felt the road under my feet, the dreamer took over. Once I got on the course the part of me that dreamed of being a pro snowboarder took over. I saw big things in my future even if that future was only 4.5 to 5.5 hours away. Christian saw the face of the dreamer up to this point. Around mile 20 he saw a completely different face. Through it all I’m just really grateful that he was there as a calming positive friend.

As I ran the early stages of the race I noticed that the 1 minute intervals passed so quickly. The longer the race went on the shorter the walking intervals seemed to get while the running intervals appeared to have stretched into half hour blocks. That was purely due to the knee pain but yet another interesting piece of data to analyze in this 5 hour study of my physical and mental resolve.

Mile 18. That was the point where I knew that if I ran any further that I would most likely not be able to finish the race. Both my knees were in excruciating pain. My legs weren’t heavy and my cardio was just fine. I had simply encountered a wall of pain that I couldn’t climb over. Mile 18 marked the beginning of the mind games. Mile 18 was when I knew I couldn’t run any further so I knew I wouldn’t gain any more ground on a faster time. I knew I was just in a race to finish rather than improve and for me that was gut wrenching.

Every mile slowed down considerably. I would come around a corner and expect to see a mile marker and it was not there. Mile 20 was the second turn around and as I got there I saw my mom and Kelly waiting for me. Suddenly my eyes welled up again. I was starting to get really emotional about it all. It was all happy emotion but none the less the tears came close to spilling a couple times. As I crossed the bridge I turned off my music and heard a number of people clapping and saying, “Come on Jason, you can do it!” I didn’t know most of them but they knew who I was because of Kelly’s sign that said, “Jason, you’re kind of a big deal.” Something that struck me was how positive everyone was during every part of the run. This experience gave me a peak into a world that I am not a part of and I was really impressed with the positivity. Everyone rooted everyone on. Kids from the high school x-country running and ski programs posted up all along the course and cheered just for the sake of being supportive (and they probably got some extra credit). There wasn’t any trash talking, no soccer/hockey moms, no negativity. It didn’t matter if you were first or hobbling in last, people were there to cheer you on. Perhaps there is so much positivity going on because people can sense how much darkness, doubt, struggle, and negativity can be going on inside the runners head. For anyone that pushes themselves a marathon will test you. There is simply too much time to think, too much time to question yourself, too much time alone with the truth. Most challenging events are over before you have time to realize if you left it all out there or held back, but not a marathon.

At the 20 mile turnaround I walked by and gave Kelly a kiss. She asked me if I was ok and I said no. I said no because of the pain and because I knew I couldn’t run anymore. Perhaps I should have given a more detailed description of my condition. A girlfriend (soon to be wife) doesn’t take the one word answer of “no” very well when her never running, no training guy is 20 miles into a marathon.

When I passed Christian again at mile 23 I still had half an hour cushion but my mind lingered on the pain. He was not seeing an excited energetic face. This was the point where I just wanted it to be over. I no longer had thoughts of dashing through the finish line with a thoroughbred’s stride. Now all I could think about was wanting to lay on the grass at the finish line. I just wanted to stop moving my legs, stop hammering nails into my knees. The thought of my legs just giving out became a serious fear. I started to plan out what I would do if that happened. I figured I had that half an hour to rest and try to work it out or I even thought that I could hop/limp in if I had to. One thing I never planned for was quitting. That was never an option.

As I came to the last uphill, about a quarter of a mile to go, I heard someone say, “that doesn’t look like running.” It was Beki Kelly and she was with Paul Kelly. Also along for the final push were Jason Moore and his daughter Lucy. Some of my snowboard friends had come to root the old guy on. They walked me to the corner of 6th ave and gave me the final push of encouragement to the finish line. I wanted to run the last block and a half straightaway and that’s what I attempted to do. I’m not sure you could call it running; more of a wounded shuffle. I started to feel and see my calves dimple in. The muscles were trying their best to cramp and lock up. I started to worry that I would be one of those people that collapses right before the finish line (only hours slower). I shuffled across the finish, standing up, and stopped the second my foot crossed the line. I walked a few steps and had to grab the rail to stretch out my calves so that I could keep moving. Then it was straight over to the grass in all its glorious refreshing coolness.

I did it! I finished with a time of 5:03:46. I won the bet and I proved to myself that I could do it. I know this blog is about riding boards in Alaska and you might think betting on running a marathon has nothing to do with that. You might even think it was kind of jock-ish. Well let me tell you how I think the event relates. Skating and snowboarding are activities that I am passionate about. They are also activities that push me. Every day I spend on a board I am faced with something I shouldn’t be able to do. Either I’m told I can’t do it or I question myself. I try and fail and fail and fail and fail. But I still get up and try again. I risk looking stupid and embarrassing myself. I deal with social stigmas. The point is that I DONT GIVE A FUCK about any of that stuff. The battle I face is within myself. The same way I pushed through the pain of this marathon is the same way I hang myself over a rail and push through to get a shot. The same way I want to quit running but won’t is the same way I want to quit trying a trick after the 100th try but I won’t. The same way people thought I was crazy for trying this run is the same way people (and sometimes myself) thought I was for trying to be a pro snowboarder. Everyday on a board is a test, a battle within yourself. Everyday on a board is a chance to quit. The choice is yours.

I just want to say thanks to all of those people that were so supportive. I really appreciate it. I’m really happy my mom was there to see this and I’m grateful that she has made sure to be there for so many of my events through the years. If I didn’t have such a great mom and family pushing me to follow my dreams then I never would have made it. Thanks to my wonderful bride to be for showing me every bit of how much love you have to give.


Steezin’ For No Reason

<p><a href=”http://vimeo.com/98078174″>STEEZIN2</a&gt; from <a href=”http://vimeo.com/user6413922″>jason borgstede</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

It’s taken me so long to upload this for a number of reasons. I guess I really dragged my feet because this video, while one of my favorites, carries a lot of pain with it. Steezin For No Reason is the 7th and final movie made as a collaboration between Jesse Burtner and myself. Just after the movie premier in September I was informed that the partnership was being dissolved. More about that later. 

I really feel Steezin hit a spot in snowboarding, and skateboarding to a lesser extent, where it became fun to break out of the mold of accepted fashion. You might say that is what skating and snowboarding have always been about but you would be fooling yourselves. Skating and snowboarding started that way and tends to recreate itself every so often but there are armies of kids out there closely adhering to the dress codes of their peer group. Just watch most snowboard edits on TWSnow or Snowboarder Mag and you’ll see the clone wars are in full effect. First off I’m not saying because a kid clones out that they aren’t talented. Most kids these days are waging a full assault on anything the mind can imagine. Second, I’m also not saying that my time period was free of the flock mentality. In my time it was the JP/Jeremy look and I was certainly influenced by it. All I am trying to say is that I feel Steezin played a small part in saying, “Fuck it, flare out and wear what you want.” Every so often the reset button needs to be pushed so people can express themselves how ever they see fit. 

As usual I think we have one of the best “Dogs” (Friends) sections in the game. I also can’t get over how sick the skaters are. Micah always makes me want to get out and skate and always makes me disappointed that nothing i ever do will look that effortless. Jerry just crushes and has such a unique bag of tricks. He really is all terrain when it comes to skating. I also think the viewer can see how far ahead of the game Kooley was as he just toyed with the rails with a bag of tricks that today’s pros would give up smoking for. Steinbaugh crushed… really crushed it. I want to say Mark Thompson could be the Jamie Lynn of Alaska in that both are sooo talented yet I get the feeling I never got to witness their full potential. It’s just a gut feeling but I really don’t think the world got to see Mark in his full glory. What the world did get to see was pretty amazing though and I’m thankful for that. And let’s not forget that Spoon Man goes hard in the paint. Andre Spinelli was always exciting to ride with. I never knew if I would see a sick corked 9 or the craziest flying fish impression. B.A.D. (big air Dre) didn’t get his nickname by coming up short on jumps so when Dre was in the line up riders had to be ready to give’r. 

I will tell you some interesting notes on the filming done at Arctic Valley. I contacted the guys at Arctic and they were super helpful and friendly. They agreed to let us film up there when the place was closed, to let us bring our rails up, to move snow around for us, and to allow us to ride the back deck. Riding the back deck was a huge deal because they found and attached angle iron to the top rail for us. They didn’t so much as wince when the perpendicular section of the rail was run into and broken. Those guys just cheered us on and smiled. That attitude, that support, that approach is the same spirit exhibited by the early (late 80’s/early 90’s) Arctic Valley, both on the civilian side, run by the Hodges family, and the military side, run by Jeff Barnhart. Arctic Valley has supported snowboarding as long as it has been around in AK and their support during Steezin contributed heavily to the movie. Thank you to everyone involved in the glory years of Arctic Valley. 

I got off on a “thank you” tangent there. That’s the problem with aging, I get so nostalgic and emo over it all. Let me get back on track. So in the hopes of promoting our movie and gaining some media hype we found someone at the Anchorage Daily News that was willing to go with us on some filming missions and write an article about it. In the sense that an article was written about us it was a success. In the sense of portraying the truth and giving a real sense of what it was like to be filming our movie, it was an epic fail. The reporter basically painted us as barely being able to strap into our boards or hold a video camera because our middle fingers were constantly pointed straight at society as we brashly stormed our way into any area we wanted while giving zero fucks. When I read the article I was surprised there wasn’t a quote from an old lady saying that we pushed her over and dug up her rose garden. 

During our filming we decided to go up the opposite side of AV and see if the old abandoned (and yes that is a very key fact here) bunkers held anything for us to ride. The area at the top of the hill is fenced off as it is part of the military site. I know there is some sort of missile site further up there hill but I have no idea the condition or if it’s still in use. What I do know is the area we were trying to check out could have been a set location for “Chernobyl Diaries.” The fencing was falling apart with huge holes in it and gates that were open so we walked in and checked out the area. We found some cool spots to ride and there are shots in the movie from there. After getting our shots we packed up and left. The article came out shortly after that while Jesse was back in Washington and I was back in Tahoe. The season came to an end and I returned to AK for the summer to find out that the JAG (basically the legal branch of the military) had visited my mom’s house a few times requesting to talk to me. One morning there is a knock on the door and I am greeted with a subpoena to appear in court. It’s been a long time so i may have some of my jargon/facts a little bit off but the important part is that the JAG unit told me to be in court and I was in trouble. Turns out the military does not like articles in the news paper that say people can freely walk in and out of their sites. Also turns out that I wasn’t in that much trouble. When I got in front of the judge and explained what we were doing, why were were doing it, and that we didn’t have malicious intent (other than shredding) he let me go and said not to go back. I might have had to pay a fine but it was no more than $75 bucks. I think they just wanted to make make an example of me to let people know they can’t just run all over the military grounds and flaunt it in the paper. Of course that is not what we were doing but that is certainly how we were portrayed by the ADN reporter, Josh Niva. Thanks Josh. I guess any press is good press. 

I mentioned in the beginning that this video carries a lot of pain for me. What i’m referring to is the break up of JB Deuce. After the Anchorage premier, outside the 4th Ave theatre, I mentioned to Jesse that we need to start talking about next years movie and I dont remember the exact response but it was not overwhelming enthusiasm. A little while later he told me he was going to do his own thing for the upcoming season and that JB Deuce was not going to continue. This blindsided me, although in hindsight there were signs, and really knocked me on my ass. As I pushed Jesse for answers I got an email breaking it down for me. Basically the email said that i didn’t contribute to the movie; in filming, in cultivating the next generation of riders, etc. This isn’t something I need to argue about through this blog. I am secure and confident in what I brought to the table over a 7 year period and, just like at the time it happened, arguing about it won’t change the other persons mind. It was very much like a break up where one person has their mind made up and the other wants to keep it going. 

Jesse and I always saw things a bit differently and sometimes a lot differently. We shared a common love of snowboarding, skateboarding, alaska, and movie making. But if the parts of the movies done solely are compared there is a stark difference. I saw that difference and honestly appreciated it. I felt the movie needed it to balance out and better represent the range of people we were making the movies for. As time went on I could see that there were inevitabilities that I was fighting such as consumer buying trends. Our movies did really well in AK but only really sold outside of that because of the names we could get on the box or personal relationships with shop owners. We were told that consumers didn’t want a video that had skating and snowboarding together. These are ideas I knew were true but fought because I held close to the idea of why we started to make these movies; to showcase Alaskan snowboarders and skateboarders the way we wanted to see them (meaning more creative editing, etc.). 

Jesse had gotten hurt and I think that reality set in that he needed to get this video thing to another level if it was going to support him. I on the other hand still held onto the idealism of it all. Don’t get me wrong; I am not pitting money vs ideals but it played a role and that is undeniable. And I certainly don’t speak for Jesse on this. I am just speculating and telling you my thoughts and feelings on the topic. 

Jesse was always far more of an art person than I was and as Steezin came along he was spending a ton of time with Genovese whom is a very accomplished artist. I think some of Jesse’s artsy ideas ran into resistance from me and were nurtured by Geno and his other NW buddies like McCarthy that he was around all the time. Like I said, i dont have an issue with Jesse’s different view of snowboard movie making and I was happy those ideas gave the movies variety. And I don’t have an issue with Jesse wanting to hit the reset button on movie making and follow his own path. My issue is with how the break up happened. After being really close to someone for 7 years, not just close but really vested with that person on a number of levels, it truly broke my heart with the way it was all handled. 

During my snowboard years I may have had an intimidating presence (not a tough guy obviously) and Jesse was definitely very non confrontational. I can only imagine that is why things went the way they did. By that I mean with no real communication of the issues he had with me. I was never approached with any of it. I never got an email or a second hand word or anything that let me know he didn’t like the path we were going down or that he wanted to make a change. I was never approached with the idea of changing any format or line ups or making it a snowboard only movie. I really feel that stems from his non confrontational nature facing squarely against my stubborness and knowing I was pretty set on the videos featuring Alaskans as well as both sports. Regardless of how uncomfortable it might of felt I believe he owed it to me to at least bring it up at some point rather than just walking without a word.

When the AV stuff went down with the JAG people and going to court Jesse didn’t seem to be involved. When I asked him about it,. it turned out he had a lawyer and talked to them independently, never mentioning it to me. That was pretty weird. When the crew came to tahoe to film they went on a mission to film a rock jib. I was told that half of us couldn’t go. I see this happen in big time movie crews but with us it was always more family style and we just let the shot quality dictate what got in the movie. When we were at Mt. Hood and the opening scene was shot, with the kids wearing different clothes, I wasn’t consulted about it and wasn’t even told the shoot was going on. Another rider came to the house I was at and asked why I wasn’t down there when they were shooting. Usually both creators of a movie come together to decide something important like the opening skit. Jesse decided that on his own and decided not to tell me he was shooting it. When the movie premiered he waited until the end of September/start of October to tell me he was out and I was on my own. If you’re familiar with making movies this doesn’t give me much time to pick myself up and figure out what to do and how I was going to do it. Jesse already had his movie plans in motion. I felt like someone challenged me to a race and fired the starter pistol while i was tying my shoes. When I got the email about how I was not contributing anything to the movie, after realizing arguing with that would get me nowhere, I offered up some alternatives but it was clear that nothing was going to happen. One of the alternatives was that JB Deuce could be the umbrella company and I would make the AK movie while he made a snowboard only movie with fresh faces. Jesse was not interested in being partners with me at all and told me that I could work for him and he would pay me for clips i submitted. That was a bit of a slap in the face. 

All of these things hurt, the dissolution of the company hurt, the idea that the era of Boarderline movies had just ended hurt, but what hurt me the most was that I felt that friends don’t handle situations like that. I don’t mean friends don’t go different directions and it was clear that Jesse needed to go in a different direction. What I mean is that friends, and I truly thought Jesse was a close friend, don’t go about things in that fashion. I felt that after 7 years I was owed more than that. Maybe I’m wrong and really it doesn’t matter to anyone but me. I am just expressing where the broken heart came from. I know I can be hard to deal with and a pain in the ass but I also know that I went to bat for Jesse and a lot of people because I cared about everything we were doing and everyone involved. I know that if the shoe was on the other foot that I would have handled it differently. It’s been almost 11 years since this happened and it is something that saddens me to this day. Our movies were a unifying force in the Alaskan community and when we split things changed a lot. Couple that with Boarderline’s decline and closing two years later and our scene took a big hit and hasn’t been the same since. Changes happen in life and people go different directions. I don’t know that I’ll ever fully get over this because what we did together meant the world to me. Many people will just consider it a few videos but for me, it was so much more. We helped develop a community, give kids something positive to strive for and be a part of (and not just sponsored kids, any kid that could get in front of a camera), promote Alaska and Alaskans, and create something that represented everyone in our lifestyle. We used to pack the theatre with well over a thousand people because what we created touched skaters, snowboarders, their friends, their families, and maybe even two skiers.

We did great things with those movies and every bit of my heart is in them. And please understand that they wouldn’t have been what they are without Jesse. My pain comes from how Jesse dealt with our relationship, not with his artistic talent or choice of direction. Jesse is a great dude and has done so much for snowboarding. He has taken the idea of inclusion from our videos and presented it to the world with his continued works. He has made snowboarding accessible to the masses rather than just trying to shock the audience like the big budget movies do. And I want to congratulate him and Pika on their new child. They will be great parents. 

I’m sorry if my venting of this rubs some people the wrong way but feel free to talk to me about it. On that note, I hope you enjoyed the video and again i’m sorry it took so long to put up. See you next time when I put “Nice!Gordon” up. 

  


In For Life

“In For Life” is the 6th video I did with Jesse Burtner as the JB Deuce team. The video was released in the fall of 2002. I don’t think any title represents snowboarding and skateboarding better than this one. Any true skater or snowboarder is in for life. I first stepped on a skateboard around 30 years ago and my first run on a snowboard was about 25 years ago. To this day I still can’t put either of them down and I know a lot of the guys in this movie are the same way. These useless wooden toys have embedded themselves in our lives, becoming a necessity, as important as air or water in maintaining life. And what better use of life than to have and follow a passion relentlessly? 

“In For Life” was our first experimentation with holding a consistent theme throughout the movie. The titles, the music, the voice-overs, the interviews, the chalk bodies and blood were all symbolism referencing the commitment to riding a board. It’s not just the commitment to riding a board, it’s the commitment to the lifestyle, to the ups and downs, the good and bad that come with riding the board. This movie also marked a more experimental approach to the construction of the parts. The abstract can be seen when you look closely, such as switching songs in the middle of a part, but were put together in a way to only be noticeable subconsciously. We’re not talking about groundbreaking “walking on the moon” type stuff but it was new for us and we put it together in a way that was different than what was being put out at the time. I’m really proud of it. 

Let’s talk about some serious standouts. I feel as though I almost don’t need to mention Adrian Williams because it is just a given, like the sun rising tomorrow morning, that he will put out a beautiful part that makes me feel like a hack when I’m on a skateboard. The skating in this movie really surpasses expectations. I know I say that every video but that is a testament to the heart that Alaska skaters have. The skaters keep up with the industry standard and keep crushing when it would be so easy to fall back on all the excuses Alaska provides to not be able to skate at the best of their abilities. Brandon Chenault tightens up the manual game straight out of the mean streets of Nikiski. Mitch Edmondson throws down a ledge to flip out onslaught that would be bangers today and he does them on areas that people aren’t hitting now. Mitch did such a phenomenal job of mixing raw and smooth together. Anthony Black’s style and tricks were getting tightened up right along with his pants. They say that a goldfish is the type of fish that will grow larger if you give it a larger surrounding. If you take it out of the glass bowl and throw it in a pond then it will grow much larger. Jerry Smyth ventured out of the Alaskan glass bowl and into the big California pond and damn did his skating grow to the size of his surroundings. 

Jon Kooley learned frontside board slides. Haha. I think it’s safe to say he put them on lockdown. At the time we teased him a little because of how many he had when the footage all came together. It was only two years before that, when he lived with me in tahoe, that he barely knew how to do them. Fast forward a bit and he was at the front of the street-cred line. But don’t let the fs boards cloud your view of the well rounded part Kooley puts out. It’s no doubt why he went on to film parts with Mack Dawg and other big film companies after parts like this one. 

I really love the idea that the guys that would normally be stereotyped as pow riders would be out in the streets, on rail missions with us, at any given session. Spinelli, Ashley Call, and Draper all kill the backcountry and are most known for their free-riding skills yet each of them can be seen in the movie on pure rail missions. Riding everything was a common factor among our crew. We didn’t really have any single terrain riders and i think that really speaks to the heart of our crew and to the fact of being from Alaska.

Brady Farr and Brent Tumbleson really started to show what they where capable of. James Reeves stepped on the scene from Fairbanks and started the procession of Fairbanks military dudes that rip. All three feet of Jorge Comelli came out firing and left everyone yelling, “OH MY GOSS!” I have to say one of the most impressive parts came from Angel Williams. When Angel focused on his skating and not on telling us how buttery he was he could destroy any spot. Angel was a good guy with just a little too much Wu Tang in him. Haha. I hope this isn’t coming off wrong because I love him and think he had a lot of skill. One of my favorite tricks in the video, and perhaps one of the most underrated, is when he front side 180’d up the second step at Hanshew and switch flipped off. He had a style that was really light footed with just enough wild in it to make it interesting to watch. I’m really grateful he was a part of our scene for so many years. 

Ami delivers pure butter in the style department. It’s rare to find such a tall rider that looks so smooth and polished on a backcountry jump as well as rails. Kirk Stinebaugh was another guy that rode with us for years and I think I just took for granted that he was pretty good and left it at that. The beautiful thing about watching these videos years later is that they can be looked at through fresh eyes. Twelve years later I’m a much different person than I was when we made this movie. I am in a different spot in life. I have had a so many life altering experiences that even though this is the same video, it is completely different and means different things to me. I love Kirk’s style and I love that I can now appreciate his talent so much more. The thing we always tried to do with the videos, and given a thousand tries we would still come up short on, is to convey the personality and attitudes of the riders. Kirk was a glowing light shining on any session we were in. “WHAAAAAT UUUUUUP?” in a baritone voice would belt out from where ever he was. The only time I didn’t see that from Kirk was during a shoot for this movie. Sullivan arena has a double kinked rail that is pretty harsh. That rail sits right across from the old Ben Boke skate park and has just stared snowboarders in the face for a long time. There are security guards there a lot of the time as well as constant events, making it tough to set up and hit. My grand plan was to go there on New Year’s Eve, hoping that the security would have the night off. I was correct and we got the rail set up and started to hit it. The time got close to midnight and Kirk started talking about how he wanted to go and party. Haha, YEAH RIGHT! I was so anti party and so aggro snowboard that I couldn’t get on track with that. To me there was no better way to celebrate the new year than with a shot snowboarding something I’ve wanted to hit for years. Well I think I should have taken Kirk’s advice and packed it in earlier because I ended up separating my shoulder that night. The crash is in the slam section where I come into the kink at a 45 degree angle and eject from the kink to the concrete on my shoulder. Kirk was about the fun and that night I’m sure it seemed more fun to celebrate new years than to dodge security guards and get wrecked. Love ya Kirk. IN FOR LIFE!!!

I filmed a lot of Micah for this video and that will always be a cherished memory. I have to say that really rings true for the entire crew. Each guy had their own style and their own plan of attack that really complimented each other in the overall stranglehold they put on the AK skate scene. Sometimes you just end up spending more time with certain riders and micah was one of those guys I spent a lot of time around. For this video we took a trip to Fairbanks and searched for new spots. I think we found some stuff that really let Micah shine and I was happy to do the filming rather than having another part delivered to us. The one wheeled manual to ollie to manual and the shuvit to left wheeled manual at Hanshew are a couple of creative gems from the Maestro. The brilliance of Micah’s “creative” skating was that it didn’t come off as forced for the sake of being different. Micah’s creative side always seemed to come from the pureness of a skate rat; a kid that lived and died for skating and just wanted to let it pour out of him.  

I wanted to come up with a bunch to say about Lando but really, after watching his part, all i can do is smile. It’s been great to watch how much he stepped up his game from each video to the next. It’s amazing to watch as he catapulted himself from another kid riding jumps to the top of snowboard royalty and most of that leap happened in front of our cameras. Just sit back and enjoy the craftsman at work. 

As for my part, well the intro was a little throwback to a reality show I was on and my fleeting career. If you think some of those dance scenes were sketchy then you should have seen what they looked like without the filter on them. We’re talking Chris Hanson creepy. I was a little embarrassed as I shopped the thrift stores of Seattle for the stripper costume; luckily I already had the shorts. Haha. One funny story concerns the one cliff shot I have from a day filming with Robbie Sell in the backcountry about an hour outside of Mammoth. I took my sled back and turned it off after one of our first stops. When I went to start the sled back up the pull chord pulled out. The sled started but the chord was dangling loose in my hands and no longer connected to the sled. Back then this was a fairly common occurrence but it meant either a lengthy ordeal to fix or a fairly lengthy half assed ghetto fix each time I pulled it. So the rest of the day my sled never got turned off. I would shuttle myself up to a spot and leave it running while I hit the drop then get shuttled back up to it later. Luckily I had a full tank of gas to keep the sled going all day. 

Hope you liked the video and stay tuned for “Steezin for no Reason” next. 


Link

The 49th Chamber

The 49th Chamber

<p><a href=”http://vimeo.com/87724262″>49th Chamber</a> from <a href=”http://vimeo.com/user6413922″>jason borgstede</a> on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p>

Lets see if I can get this one out there in under 4000 words. The 49th Chamber was an idea I came up with while on an airplane. Obviously we were all pretty into Wu Tang back then and it influenced the initial thought for the video. I’m having a hard time remembering who did the art work but I believe Jesse lined that up and put that part of the concept together. 

As we released more videos we became more comfortable in the process. The 49th Chamber really let us start to step out with different titles and musical choices. We really peppered in a lot of graphics. I also feel the overall look of the video became much tighter. 

I think one thing that really shines through for me was how important and valuable snowboard camp was. The set up, at camp, was better than anything we’ve seen in Alaska to this point. With all the technology and industry direction towards park building and promotion, it’s still a little board shop summer camp, with a 150 kids, that has produced the best man made terrain ever seen in AK. I know there are cat drivers that can build the stuff so I guess we have to question the mountains and the value they put on providing for a consumer. I’m sure they will tell us that there are a million reasons and rules that prevent them from making a decent park. My answer to that would be that not only do numerous lower 48 mountains do it everyday but ALASKA has done it before. The mountains that deny us today have previously provided us with the best terrain we’ve seen. Gotta wonder where our hard earned dollar is going. Anyway, i’ll step off the soap box for now and get back to the video. 

This video contained a lot of riders that threw down. Some went on to pro careers, a couple of them are team managers now, and all of them left a mark on the scene. I know i’ve said this before but its really hard to believe what people were throwing down back then. Representing our scene and our riders spurred my drive to make the videos. There was so much talent that just never got a shot to be seen. These movies were about showcasing their talents in a package we put together. As riders, Jesse and I got to do our snowboarding but making the movie brought the real happiness. When the premier night came I was excited about my footage but nothing like the excitement I felt for the movie. I was never much of an artist as far as traditional art. I cant pick up a brush and create anything more than a mess. I never learned to play musical instruments. But what I felt like I was decent at was putting together a few minutes of footage in a way that really let people see the light inside someone. It might sound corny but it is the truth. Making videos has always been my art. 

Like I was saying, this video had quite a pool of talent. I think the “Dogz” section was one of the best we ever had. I also think the skate section with Brant Schalk, Belcourt, and the others really opened eyes, if you wanted to see it, to how good a bunch of Alaskan kids could ride a wooden plank. Brant and Belcourt were great examples of sick skaters that really never got any attention outside of AK. I filmed most of Brant’s section and you can notice that we never had shots at the same spots. If you knew me as a skater, at that point of my life, then you know that I went for it. I was willing to slam and willing to drop off big stuff. So when I went to film Brant it’s not like I didn’t think about or try to skate the stuff he skated; I just couldn’t. I just wasn’t in Brant’s league when it came to skating. The spots were so difficult to skate because of cracks, short runways, rough ground, etc. When you have true talent it just doesn’t matter. The thing about videos is, if filmed right, everything looks easy. I want to let you know that it isn’t. Belcourt was the same way but being from Juneau kept him and I from skating much together. You can see from the footage that he is just a pure natural. I’ve had the pleasure of watching a lot of naturals ride skateboards and that is an art that I can truly appreciate. 

Speaking of naturals, Micah didn’t have a long part but as usual it was gold. Micah has an aesthetic to his skating that is best described as natural. I skated with Micah a lot over the years and I noticed something about his skating. When I show up to skate a spot I try to figure out what tricks I can do at the spot. Usually the routine of trick selection consists of running down the list of tricks I can do and seeing what can be made to fit the spot in question. Micah’s trick selection seemed to follow a different path. Nothing Micah did at a spot looked forced. On the contrary, the tricks Micah chose looked as though they were the absolute best choice to flow with the spot. The tricks he did belonged at that spot. He just uncovered the tricks and let them happen the way nature intended. 

Darian “Double D” Draper was the first person I ever saw do the double backside rodeo (his opening shot). I guess the trick could be called a double backflip backside 180 or a double roll 180 but no matter what you call it riders are doing it in events today. Darian is one of the greatest people you’ll ever meet until you need your face pushed in. Seriously though, Double D dropped hammers in this part and had no sponsors at the time. 

Jon Kooley moved to Utah for the winter this video was filmed and ended up parlaying that choice into a full blown career. Just last week, at Alyeska, I ran into Jake Randazzo ( an old snowboard friend from high school) and he told me how stoked he was on Jon. He said, “I told Jon he’ll never make it in snowboarding by riding rails.” That’s a pretty funny story considering that Jon did exactly that and even funnier that Randazzo was giving snowboard career advice. Also of note, Jon is one of the first people that ever did a proper one footed board slide on a street rail. 

My section was a pretty fun one for me if you try to forget the fact that i was no longer really sponsored by anybody. I went from head to toe burton to grabbing a few sponsors like Pro-tec, osiris, and oakley. I know, poor me. I’m just saying it was a new experience after 7 years on burton. Another new experience was shaving my legs for a skit that probably made a few people throw up in their mouths a little bit. Once you get past the vomit there were some fun sessions in this part. The picnic tables with a rail in the middle was a session at Boreal. The people at Boreal have always been so cool about letting riders set up interesting things. Boreal has backed snowboarding to the fullest from the start. This video also marked a session at the infamous rail gardens in SLC. I did a one footed 5050 on the rail and kept it proper with my unbuckled foot never touching my board while it was on the rail. I also managed to do a frontside crooked press on the flat rail at boarderline camp. It wasn’t a trick that ever caught on but it was an idea that I had to see if I could figure out. 

The video held some real standout moments that I want to share. Matt Wild doing a one footed backflip pretty much made him Bode Merrill before Bode was around. This video has the best crash section hands down. Lando’s pillow hop to backside 180 could be one of my favorite shots ever in a movie. Drinking a cup full of water wrung from the gloves of every summer camp attendee in the lunch room will go down as a tough but respectable path into the video. And I don’t think HCSC will be holding “Marine Sit-up” contests anymore (in the credits: hold a kid down with a towel over his eyes and forehead. Tell him to try as hard as he can to do a sit up while someone moves their bare butt over his head. Remove the towel letting the head take it’s natural course and watch as hilarity ensues). 

There was just so much “good” in this video. It’s impossible for me to mention everyone and how great they were. Just watch the video a few times and try to wrap your head around how rad it all is. Thanks again to everyone that was a part of it.