This is a section of clips from Boarderline’s “Indo” skatepark. Do you know why the park was called “Indo”? Because the park was Indo not outdo. Pretty funny when you hear Scott Liska tell you. I believe Trevor Tenge was responsible for this edit. I imagine a number of people held the camera. Please feel free to correct me or add to the credits in the comments section.
The park was created when Boarderline moved it’s location from the Dimond Center Mall to a warehouse in an industrial area near the Bush Co. The building allowed there to be retail space, storage, and enough space for a small skatepark. The park was pretty rad for what Anchorage had to offer. One of the toughest parts about skateparks is that skaters dont want to pay to skate. Another tough obstacle is if the park is too compact then it’s very intimidating for novice skaters to try and skate and those are the kids that will pay. But the fact remains that this was the second time in Boarderline’s history that they built a skatepark for the kids of Anchorage. Most likely it was the second time they built a park knowing it would not make money. Consider the fact that a private business owner, whom was not overwhelmed with reserves of cash he didn’t know what to do with, gave that to our skate community while the city of Anchorage only seems to allocate funds to skaters in the form of skate stoppers.
I hope you enjoy the sickness that went down in that little garage. I hope you see the creativity and talent that skaters exhibit when given even the smallest canvas.
Two bonus sections for you today. The first features Johnny Sellers, Preston Pollard, Trevor Tenge, Shaine Stanfill, and Ryan Walker. Pretty rad skate section for just bonus clips.
The next is basically an extra friends section. It has skate and snow footage. One thing I always loved about “Boarderline Videos” was that not everything had to be a after black banger. Sometimes it’s just fun to watch the different places and the different styles of your friends. The videos I made were always pretty heavy with that element. After all, it’s this great big group that makes the scene what it is.
I threw together some of the extras and funny stuff from the year of filming. And as evidenced by the last clip, I threw in some stuff that was obviously just me being a dork. Not much has changed in the dork department. The first clip of the rock in my hand was from a trip to Ohio/Pennsylvania. I jumped off the roof of a house, onto a little grass knoll, then rode it out into the street. On one of the attempts I crumpled at the bottom of the knoll, falling face first towards the street, and put my hands down to stop my fall. I had thick leather gloves on but noticed something about my palm felt strange. I took my glove off to find a small boulder wedged into my palm. The rock went right through the glove, barely leaving a trace, and was able to complete it’s task of creating stigmata.
Here we go with the 4th video from JB Deuce Productions. SOTT was a really special movie because it marked the taking of the reigns. Up to this point our first three videos were made with us directing someone else (an editor) on what we wanted. The first movie was edited by us but had no real effects or edits to speak of. I was personally influenced a great deal by skate videos of the time and Transworld was really setting the benchmark. TWS vids were so progressive in their edits and film angles. I was just as impressed to watch the editing as I was to watch the skating. So when our editor gave us resistance on trying new things we decided it was time to pull up stake and set out to make our own future. It was understandable that Karl resisted our inundation of requests because each one just meant a lot more time, resources, learning, and effort for not much more money. We were young and progressive and wanted to explore and create so we new it was a change that had to be made.
I went out and bought a laptop (my first computer that was all mine), final cut pro, an external hard drive along with Jesse and I both investing in new cameras (the vx2000 that I bought is currently still capturing action in the capable hands of Brendon Hupp and you can see some of it at http://www.magichourmoves.com ). In the fall we both went down to southern California and planted ourselves in a hotel room, near newport beach, for a week and made a movie. In true JB Deuce fashion there are plenty of skate shots that came from breaks during the editing. Also we shot my skit in the hotel pool.
There is something really special about so-cal no matter how much everybody bags on it. I think thats the first time I had Wahoo’s Fish Tacos, i skated spots from videos with the homies, practically OD’d on Jamba Juice, and laughed a lot. We were just a few blocks away from Derek Liska’s short career at community college and he was always riding his beach cruiser to the motel trying to get spoilers for the vid. Leathard came out for a minute and dropped some skate magic.
we also spent a lot of time with Andy Simutis. I really can’t explain how important Andy was to the video. I met Andy years before at Mt. Hood. He took photos and shot video and was from the east coast. Eventually he moved out to Tahoe and also produced his own video magazine. Andy got a lot of pics of me published in mags and put me in his videos too. He was/is super cool and a tech nerd too. What i mean is he really knew his stuff when it came to everything we didn’t know about making a video. Like I said, I just bought my first computer and set up my first email just months before making this movie. Andy was our go-to guy when it came to anything we didn’t understand and let me tell you that editing programs and computers were so much more difficult to work with 14 years ago. Andy was our user manual and got frantic calls at all hours of the day and night about why something wouldn’t work and how many times we needed to hit the side of it before it would work. Andy lived in the Newport Beach area and that’s why we made our editing residence in that particular location. Thanks Andy, the vid would have never come together without you.
So you will see a lot of crazy edits; lots of rewinds, chops, and screws. I’m proud of these, not because they were ground breaking but because we figured out how to do them and by doing them we really stepped out of shackles. JBjango unchained! We also saw the quality of the riding and filming go way up. JB Deuce was gaining momentum. The crews in AK really started to take things seriously. We established something that the community knew was there for them and they worked hard to be a part of it. And by no means was that one sided. The relationship was symbiotic. I wanted to create a platform to showcase Alaskan talent. I wanted to represent the kids that busted their asses as best I could. All the kids that were in the movie made that possible. Without all the kids that had even one clip we would not have had a movie. Year after year the skaters and snowboarders of AK stepped up their game far above the expectations of anyone outside of Alaska.
So lets talk about the video. Here are some interesting things, at least I think, about the movie. Khris Bombeck, Jon Kooley, and I all lived together in Tahoe that year. We started the year living in a Motel 6 for three weeks while I was trying to buy a house in Truckee. Bombeck drove down from Montana with a rail he made. He figured out how to place the supports on the bumpers of the car and secure it with tie-downs. Bomber always had the spirit of making things happen, janky or not, against the odds or not. We would drive the rail up to tahoe, from our Reno Motel 6, ride it and then load it back on the car and head back to our cramped quarters. That rail is the rail you see coming out of the pond skim in some shots. This little pond forms in Truckee every year and as it melted I saw a little peninsula of ice left on it. I thought that we could build a jump on the ice where we would pond skim to the ice, ride up on it and hit the jump onto the rail and over the rest of the pond. So we placed the rail at the end of the pond and began to build the jump on the ice. As we built it the weight of the jump sunk the ice leaving us with a jump coming out of the water. This ended up being so much more cool than the original idea (although not much different). I had never seen anyone do this before but i did see some of the canadian guys do it a year or two later.
Oh and there was some fun being had at the pond. Mark Thompson stopped by for a session on the skim to rail and killed it as he usually does. The cops eventually busted up the party because they saw someone having fun. We also had another session on the pond skim without the rail. During that session a friend of Bombeck’s, Julian, came down to ride with us. On one of the skim runs Kooley stopped just short of the shore and Julian came in hot behind him laying down a carve that barreled Kooley like he was Rick Kane at the finals of the North Shore Pipeline Masters. As fans of Kooley know he can have a temper (usually displayed during a frustrating rail session) and he was PISSED! I’m sure matters were not helped by Julian talking shit and laughing the entire time too. That day also held one of the greatest wipeouts ever when Bombeck tried to half cab into the skim and did a full speed quarter cab to Scuba Steve impersonation. I hope I’m not mixing it up with a different trip but either way he came up with the pond’s version of sea weeds all over him.
There are some real standout parts for me. Lando’s style of big mountain domination shows it self more in each video. Mark really started taking his part to the back country yet at the same time he’s getting mixed in with some nasty kinked rails. He’s also doing tricks that rails kids of present would be stoked on. The best snowboarders have the foundational skills to be able to rip anything they come across and Mark is no exception. Another really special rider out of Juneau is Chris Currier. I feel like Chris epitomizes Juneau riding. Hard working, hard riding, no nonsense rippers with a lot of talent. Juneau always held the underdogs, the under appreciated riders. I’m sure i’ll miss someone but Lando, Firmbiz, Collard greens, Bubba, Chauncy, and just about anyone else that came out of there were really good. You could see what a difference it makes when people grow up free riding and learning how to ride their boards. When ever snowboard camp came around and the Juneau boys showed up they were a force to be reckoned with, on and off the hill.
The people’s champ also emerged in SOTT. “Double D”, Darien Draper came from Seward with a background in wrestling. After crushing kids on the mat he would crush the jumps with our crew. Darien rode with the stoke of a little kid and the power of a giant. Darien was the first person i ever saw do a double backside rodeo. I also believe that if he hadn’t gotten mixed up with a shady board company things could have really blown up for him. Darian is one of those guys that would give you the shirt off his back while breaking his back working hard for you.
Jerry Smyth also had a breakout part. Yet another skater that grew up with us from video one. He’s also in the list of guys that some how developed insane skills riding a skateboard in Alaska. Jerry always brought a laugh. The only thing that eclipsed his ability to have fun was his ability to backside tail huge ledges. Some of those ledges were practically chest high for Jerry.
Micah and Adrian continue to amaze. Micah’s skit really was as brilliant as his skating. If you know Micah then you know that he truly was in love with skateboarding. Everything revolved around skating and that was true rain or shine, good times or bad. Adrian started to blow up. This was the time that a lot of skaters that we first met when they were little started to get bigger and stronger. They grew into their frames and were able to use their talents to the fullest. When you watch Adrian’s part please remember that this was 14 years ago and that he skates almost fully in Alaska.
Pete Iversen….too smooth. This was the year that I got Pete in on some filming with Mack Dawg. So Pete and I got to go on some filming missions together and that was really rad. Everyone from AK knew Pete had the best style and serious skills and I was really stoked that the world got to see some of that. The funny thing is that Pete was in a frat at UW so I would come up to film and have to stay in the frat house with him. Im surprised he stayed friends with me over all the shit i gave him about secret handshakes and circle jerking initiations. Actually its not a surprise seeing as how Pete is one of the best people you could ever be friends with. I’ll tell you the truth about how I felt concerning Pete and I probably never told him this. We all wanted to do tricks like pros. People want to do a Chris Roach method or a Jamie Lynn cab 5. But at that time I was a pro and i just wanted to do tricks like Pete even though I knew I couldn’t. I would think about it at the top of jumps just before dropping in the same way any kid imagines themselves doing a trick like their favorite rider.
Also some other stand out moments; Jay Kuzma’s priceless commercial. Are those puka shells Jay? How about Mitch’s 180 nose grind on the round down rail at Mulcahy park? Did you know before Robi Gonzales was a famous drummer that he had snowboard skills like this? Before Andre Spinelli officially became the prince of Anchorage he was a rodeo master. And a big thanks to Kris Schutte for a solid box design.
As for my part…well I just wanted to usher in the year of the man capris the best I could. As for the skit, I have always been a fan of making myself the butt of the joke. If you can’t make fun of yourself then you have no place making fun of others and boy do I make fun of others. Back then TRL (total request live) was a video request show on MTV. I’m not talking about requesting internet videos, this was when they played music videos. You might have to check wikipedia to understand what a music video is if you’re under 20 years old. Anyway, I had fun doing the skit with the exception of having to buy that shirt and play that song loudly at the pool.
All in all this was a groundbreaking video for us but it felt like every year was groundbreaking in some way. I know that we finally started to feel a bit professional about it. I’ll wrap this up with a huge heartfelt thank you to everyone that was a part of the video, in front or behind the lens. You contributed to some of the greatest memories of my life. See you with the next video: The 49th Chamber.